A Gold-Leaf Graffito Chalice by Giancarlo Begotti for Cenedese, Murano All minor observations that are

All minor observations that are not easily visible with the naked eye

No evidence of restoration is observed

The glaze has softened and dulled with age and exhibits a yellowed tinge

figure 410 and 417

Condition: Artwork is presented in good overall condition and has been consistently safeguarded behind glass

A Gold-Leaf Graffito Chalice by Giancarlo Begotti for Cenedese, Murano All minor observations that areMurano, Venice (Italy), Giancarlo Begotti for Cenedese, circa 1960 80. Arguably one of the most labour intensive techniques for glass artisans, a fine sheet of 22k Gold is applied over the royal red glass, then "Graffito" is created by using a pointed, sharp tool to etch an intricate design into the gold leaf. This museum quality chalice features an exquisite etching of an extract from the c1622 25 painting titled "The presentation of the Portrait of