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Arthur Koestler, in old age, was proud of a conundrum he had formulated: Is it better for a writer to be forgotten before he dies, or to die before he is forgotten? (Jules Renard knew his answer: Poil de Carotte and I live together, and I hope that I die before him.) But it is a would-you-rather porous enough to allow a third possibility to sneak in: the writer, before dying, may have lost all memory of having been a writer

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